Licensed to draw

In a country like Algeria, where press freedoms are restricted, cartoonists with their subtle criticism of the regime often have a far more subversive impact than mere words.

In Algeria, people start reading newspapers from the back. The last page, or the cartoons page, attracts readers and competes with journalistic articles. All that is required is the understanding of a handful of conventions and some reading between the lines to summarise the reality of a situation.

In a country where the illiteracy rate has reached 13%, images are very influential tools for criticising current affairs whether political, social, economic, or cultural.

Since independence, caricature and cartoon art in Algeria has had an exciting and controversial history. Many artists have crossed lines and incited public opinion. Army generals, leaders of terrorist organisations, as well as public figures from all sides, have all been the subjects of drawings. Even the president of the republic and parliamentary speakers have not escaped appearing in cartoons.

Between censorship and absolute freedom

Die Algerier haben sich entschieden, ein neues Kapitel aufzuschlagen: "Wir haben den Terrorismus hinter uns!" - Karikatur von Dilem; Quelle: Liberté
Seit der Unabhängigkeit haben algerische Karikaturisten viele heiße Eisen angepackt, von denen Journalisten lieber die Finger lassen. Bis heute sind Karikaturen in Algerien ein wirkungsvolles Mittel, um heikle Themen anzusprechen – vom Gesundheitszustand des Staatspräsidenten bis hin zum Terrorismus.

Under President Boumedienne, the ministry of communications was in charge of banning certain information and setting the red lines. Then came President Chadli who gave the press an unprecedented level of absolute freedom. During this period, more than 10 newspapers were published. It has become known as the golden age of the media in Algeria.

Many famous cartoonists appeared during that time namely M′hamed Issiakhem and others. And then came Selim who is considered to be the father of post-independence caricature art. His work appeared in the French-language newspaper ″Ahdath Al Jaza′ir″ and the satirical magazine ″Mqaydish″.

Other artists became famous after that, such as Haroun, Melwah Qassi and Bouamama Mazari. But the bloody period that Algeria went through took its toll on caricature art, especially with the wave of assassinations that targeted journalists and public figures in the cultural sector. Many artists were pushed to move to France, some of whom are still active, such as Jamal Noun and Hisham Baba Ali.

More than just a drawing

In May 2001, the Algerian parliament adopted what was known as the ″Dilem Decree″, which made insulting the president punishable by 2 to 12 months in prison and a fine of 50,000 to 250,000 Algerian dinars (450 to 2300 USD). The same goes for insulting the army or the parliament. However, the punishment is not limited to the person who draws the caricature, but includes anyone who publishes or shares the drawing.

Zalikha Belarbi, an activist in the Algerian association for the defence of human rights, was fined 100,000 Algerian dinars (900 USD) for re-posting on Facebook a photoshopped image featuring Algerian political figures including president Abdelaziz Bouteflika in postures that reference the famous Turkish soap opera ″the Sultan′s Harem″.

Karikatur von Sadk; Quelle: Press-dz.com
"Die Regierung bereitet die Algerier auf schwierige Zeiten vor. Am Projekt der Großen Moschee von Algier wird festgehalten. Verrichte dein Gebet – 2016 rückt näher" - Karikatur von Sadk.

So what are the most sensitive topics that journalists avoid while cartoonists don′t? While the perspectives might differ, below are some of the controversial topics that are most commonly present in the media and public discussions.

The Great Mosque of Algiers

The Great Mosque did not escape the satire of caricatures shared by Algerians on social media. Its construction has been a controversial issue due to its extravagant cost, reaching 1.36 billion USD.

The mosque is also supposed to be built on Bouzria Hill, 365 metres above sea level, in a zone that geologists say is prone to earthquakes. The project faces very strong criticism as a waste of public funds that many think would be better spent on education, health, or other projects.

The national reconciliation

The reconciliation is ten years old, but remains a subject of much controversy and satire by cartoonists in Algeria. Many years since it was proposed by President Bouteflika in 2005 and voted in as a way to end terrorism in Algeria, it is still far from being implemented.

Many victims of terrorism are still asking for the truth about what happened in the country and many are still missing.

The economic crisis

Karikatur von Dilem in der algerischen Zeitung "Liberté"
Bouteflika wegen Schlaganfall seit einem Monat in Frankreich. "Na ja! Ein weiterer Fall von Braindrain!" - Karikatur von Dilem

Caricatures are bound to tackle the economy. After all, it is a crucial aspect of the lives of so many Algerians, especially since the fall of oil prices, the only source of income for the country, led to a financial crisis.

Things only got worse with the government′s austerity measures leading to a social explosion.

The president′s health

This is a topic that preoccupies people but presents a big challenge for the authorities. However, it has proven to be very inspiring for caricaturists. Bouteflika has ruled the country as president for 17 years and is now 79 years old.

In 2005 he suffered from symptoms of stomach cancer. The state news agency announced that he had suffered from a passing brain stroke and needs some rest.

In 2014 he ran for the presidential elections in a wheelchair. The facts surrounding his health are a secret protected by excessive laws. This is why every time he disappears from the spotlight, people wonder where he has gone. These questions are then followed by rumours on the street and on social media.

The official response, however, is always a standard: ″The president is in good shape and performing his duties normally,″ which reflects the political state of the country and presents great material for cartoonists.

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