Controversial TV Series "The Magnificent Century"Cultural Battle in Turkey
They came equipped with drums and dressed as Janissaries. Hundreds of demonstrators, mobilised by the Saadet Party, gathered outside the gates of the private television network Show TV and loudly demanded that a newly launched television series be taken off air. Muhtesem Yüzyil (in English "The Magnificent Century") is currently the most hotly debated series on Turkish television.
It tells of Suleiman the Magnificent and his harem. For Islamists, the right wing and those nostalgic for the days of the Ottoman Empire, the show represents a base betrayal of the country's great past. After all, the 40-year reign of Suleiman Kanuni (known in Turkey not as "Suleiman the Magnificent", but as "Suleiman the Lawgiver") was the heyday of the Ottoman Empire.
In no other era was the empire as powerful, never was it larger than in the sixteenth century, when Suleiman's troops first conquered Budapest and then laid siege to Vienna. This heritage is nothing to laugh about. Its critics are calling the series "inappropriate", "disrespectful", "impertinent", "stupid" and, to make matters worse, "historically incorrect", saying that it consequently has no business being broadcast on Turkish television.
This is the opinion not only of conservative demonstrators on the street, but also of Deputy Prime Minister Bülent Arinc, who publicly announced that he would wield his authority to try to stop the broadcasting of the harem soap opera. The state-run Radio and Television Supreme Council (RTÜK) was convened without delay.
Consideration for "society's sensibilities"
Prime Minister Recep Tayyip Erdogan warned that the law allows the head of state to ban a show from television in an emergency, whereupon RTÜK immediately notified the makers of the series that they could expect sanctions should they fail to show consideration for "society's sensibilities". And the makers did show consideration.
In the second episode (a 90-minute episode is broadcast each week), all of the kissing scenes were cut before the film was broadcast. But what exactly is all the fuss about? Muhtesem Yüzyil is not exactly a series that censures the Ottomans or exposes them to ridicule.
The film is an insipid love story that uses the Ottoman Empire as a backdrop for a story of jealousy and intrigue. Viewers love it. The series is a huge hit that brought its producers spectacular ratings last Wednesday. Half the Turkish population was glued to their TV screens, waiting breathlessly to see how the notorious Roxelana, who is named Alexandra in the film, manages to reel in the sultan.
In view of such overwhelming interest, a ban is no longer likely, even if the series continues to unfold more in the harem than on the battlefield, and the sultan continues to indulge in wine.
Nevertheless, the film is still a good indicator of the cultural battle currently raging in Turkey. If the controversy over the soap opera seems almost laughable, elsewhere there is greater cause for concern.
A "monstrous" artwork?
The debate over the film had just gotten underway when Prime Minister Erdogan added further fuel to fire. During a visit to the city of Kars in the remote eastern reaches of the country near the Armenian border, he discovered a monument that met with his disapproval.
The object in question is a 35-metre-high sculpture by the German-Turkish sculptor Memet Aksoy showing two half-figures approaching each other. They are meant to symbolise the rapprochement between Turks and Armenians after nearly a century of division. Erdogan referred to the sculpture – a monument to reconciliation – as a "monstrosity", demanding that it be removed from the cityscape.
A head of state who sets aesthetic standards, instructing the mayor in charge, a member of his party, to see that a work of art is removed? And a deputy head of state who wants to have a television series cancelled? The freedom the AKP government touted for so long now seems to have been forgotten.
It appears that they were right all along, the critics who long claimed that the freedom meant by the Turkish ruling party AKP is only the freedom to act in its own interests – for example by abolishing the headscarf ban at universities and schools.
The fact that tolerance is suffering a similar fate is also demonstrated by a new law scheduled to come into force in the coming days, representing another chapter in the cultural battle between the Islamic majority and secular minority: in future, not only will all advertising of alcohol be banned, but also the offering of drinks at exhibition openings in galleries or at theatre premieres.
© Qantara.de 2011
Translated from the German by Jennifer Taylor
Editor: Aingeal Flanagan/Qantara.de
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