Gradually, the entire coast was privatised in this way. The fact that fishermen were losing part of their living was of no interest to the government, nor to the Suez Canal Authority, which was established when the canal was nationalised. 

A documentary advocate for social justice

Still from "Buyers and Sellers" (photo: Cimatheque)
In her film "Buyers and Sellers" (1992), Al-Abnoudy explored the relationship of the Egyptians to the Suez Canal. Following its nationalisation by the then President Gamal Abdel Nasser in 1956, the canal was intended to serve as a shining example of the power of the Egyptian people and bring prosperity for all

Films like this, criticising the government or individual institutions, naturally prevented Atteyat al-Abnoudy from ever receiving state funding. But she shaped her reputation as a documentary advocate for social justice. Tamer el-Said says of her motivation: "She wanted to give a voice to those people who never had one in the official narrative. She always defended disadvantaged people, but at the same time she didnʹt present them as victims; she saw their strengths and showed them."

Atteyat al-Abnoudy left her film estate to the Cimatheque initiative. Its archive in downtown Cairo is open to film studies academics and those interested in film for research. Cimatheque is also home to a small cinema, a cafe and a co-working space.

"Itʹs a place where film fans and industry professionals can meet, discuss, argue and work together," says its co-founder Tamer el-Said. "A place that celebrates cinemaʹs diversity." And where filmmakers can develop solutions to problems – the difficulty of attracting international funding, for example. Cimatheque was officially founded in 2014, but the idea came into being years earlier.

Atteyat al-Abnoudy had heard about it, and convinced the makers back in 2011 to create a film archive as well – which had not initially been part of the plan. Following al-Abnoudyʹs death, her works were first shown in Cairo, and are now coming to Berlinʹs Arsenal Cinema.

"The world is ugly without people," says the poet Abdel Rahman al-Abnoudy, Atteyatʹs husband, in her 1972 film "Sad Song of Touha". And in fact, the world has grown a little uglier following her death. But her objective – to show the strengths of disadvantaged peopled and not to make them into victims – remains. In her work, but also in the host of filmmakers who have been inspired by her.

Christopher Resch

© Qantara.de 2019

Translated from the German by Ruth Martin

Berlinʹs Arsenal Cinema is showing a retrospective of Atteyat al-Abnoudyʹs works on four days between 2 and 7 July. Tamer el-Said will give an introduction to each film.

More on this topic
In submitting this comment, the reader accepts the following terms and conditions: Qantara.de reserves the right to edit or delete comments or not to publish them. This applies in particular to defamatory, racist, personal, or irrelevant comments or comments written in dialects or languages other than English. Comments submitted by readers using fantasy names or intentionally false names will not be published. Qantara.de will not provide information on the telephone. Readers' comments can be found by Google and other search engines.
To prevent automated spam submissions leave this field empty.